contrapuntal forms in dance

As a compositional technique, counterpoint is found in many musical styles including Medieval music, gamelan, [not verified in body] and the music of West Africa. Form . CHOREOGRAPHIC FORMS IN DANCE I. Sequential II.Contrapuntal III.Episodic IV.Other compositional forms 66. CHOREOGRAPHIC FORMS SEQUENTIAL FORMS: Narrative, Simple Binary form (AB), Tenery Form (ABA), Theme and Variation, Rondu (ABACA), Non-Specified Sequential Form. The Exposition. Traditional music of East Asia tends to utilize multiple melodies rather than balancing a single melody against harmonies. Ground bass II.Round or Canon III.Fugue or Accumulation IV.Suite 68. Multiple Choice: CIRCLE the letter of the best answer. In music, counterpoint is the relationship between two or more musical lines (or voices) which are harmonically interdependent yet independent in rhythm and melodic contour. This contrapuntal dance is composed of fixed movement material with some instances of structured improvisation. This is also referred to as “free polyphony”. Making Dance The Choreographer's Toolbox Form & Structure . B. When they do, it can take many different forms. a. ethnic, ballet, modern, jazz b. street, folk, theatre c. social/recreational, theatre d. a. Italy b. France c. Russia d. United States 2. contrapuntal polyphony. Ground Bass – single theme starts the dance and is repeated all the way through the dance while other contracting themes are simultaneously performed with it. Each fugue has its own structure that changes according to the composers invention and needs. In part 3, I wrote about canonic polyphony. 1. Forms: The Fugue. CHOREOGRAPHIC FORMS IN DANCE 65. CONTRAPUNTAL FORMS: Situation, Dance by Chance, Canon (Round), Ground Bass and Fugue. CONTRAPUNTAL FORMS I. What is the best way to categorize the forms of dance? Aside from the opera, composers also wrote numerous sonatas, concerto grosso, and choral works. Where did ballet, as a theatre art, really start and develop? In part 2, I wrote about drone polyphony. In part 1, I wrote about parallel polyphony. The 25 main themes are repeated and recombined over the course of the dance in their full and partial forms. After the exposition the composer alternates between episodes and subject presentations. While there is no set terminology, members of the company most often refer to the different segments of fixed movement as themes. Once the choreographer has conceived key movement phrases, he or she can combine, manipulate and organize them into longer sequences, paying attention to:. 1. 16th Century Dance Forms The increasingly diverse repertory of dances in the 16th century is reflected in the large variety of dance compositions in the collections of lute, keyboard, and ensemble music of the time. Not every culture has polyphonic or multi-part singing. It is important to point out that composers at the time were employed by the Church or by aristocrats and as such, were expected to produce compositions in large volumes, at times in a moment's notice. SEQUENTIAL FORMS I. AB (two-part) form II.ABA (three-part) form III.Rondo Form (ABACA) IV.Themes and variations form 67. In music theory, contrapuntal music appears in many forms. CONTRAPUNTAL FORMS A. This week it’s contrapuntal polyphony. Musical Forms From the Baroque Period . The form of a dance determines the way it is organized. This is similar to the way musical forms like the suite, symphony or concerto shape their overall contour or identity. PART 1: DANCE HISTORY A. A fugue begins with an exposition. Is the best way to categorize the forms of dance balancing a melody. United States 2 Choice: CIRCLE the letter of the dance in their full partial! It is organized IV.Themes and variations form 67 forms 66 forms of dance of East Asia tends to utilize melodies! 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